A Cursory Overview Of Electric Boogaloo Dancing
It really is hard to describe the motion of movements of the well-known locking dance. The dance resembles the small plastic figure toys that when pressed, loosely fall down. When un-pressed, the toy figure jumps back up into position. The standard motion is loose and unrestricted, but accentuated by sudden sharp movements into a major position. The dance is basically a repetition of these movements.
Within the 1970's Campbell had established an whole locking dance crew named "The Lockers". Two of these lockers became Television stars with Shabadoo starring in "Breaking" and Penguin starring in "What's Happening". The locking dancers of this period wore the typical 1970's clothing of platform shoes, bright striped socks and pegged pants. The shirts that they wore were big-collared bright satin with bow ties. They accessorised with white gloves and huge Apple boy hats.
About that time a recognized Tv choreographer named Toni Basil, who was famous for shows like "Shindig," and "Hullaballoo," discovered Don Campbell and his Lockers and helped bring them to international fame. She was an amazing dancer herself and soon learned to lock. She became a member of The Lockers, helped create their dance act, and got them on Tv shows like "Saturday Night Live" and commercials for example Schlitz Malt Liquor Beer (the 1 with the bull).
Basil and Campbell when performed their dance live at the famous Los Angeles Crenshaw Flats nightclub. Some people even thought that Basil was a far more talented dancer than Campbell!
Also about the time "Soul Train" hit the air (1972) and it became an instant media hit by featuring street dancers, particularly The Lockers, of Los Angeles. The nightclub Crenshaw Flats the apartment on Crenshaw Boulevard in Los Angels was where the "Soul Train" gang hung out.
In the time breaking was developing in New York, locking the The Robot had been acquiring well-known in southern California. During 1972 and '73 in Fresno, California, a modest city halfway among Los Angeles and Dan Francisco, a black family of all boys were inventing some thing new of their own. They named their dance the Electric Boogaloo. Pistol Pete (who also starred in the film "Breaking" and was involved with Toni Basil and also the Lockers and "Soul Train" in the early days) and his brothers had produced The Electric Boogaloo by combining locking. The Robot, along with the far more smooth and controlled movements of mime. Rather than throwing their bodies in and out of manage like locking, or in total hydraulic control like The Robot, they passed power via their bodies popping and snapping elbows, wrists, necks, hips and just about all the body joints along the way. Electric Boogaloo was a lot more like mime in the sense that it pantomimed a live wire of electrical current, however it still necessary the manage of The Robot to give it style.
The Electric Boogaloo became big in San Francisco even just before it hit Los Angeles but when it did hit L.A., the Television capital of the globe, it was introduced by means of "Soul Train" as the new dance form and challenged the popularity of locking. The Electric Boogaloo (or Electric Boogie as it is called now) has considering that spread to New York as breaking later hit Los Angeles.
It can be great to note that the dances are not opponents for popularity. Rather, they every have their own exclusive characteristics that balance each and every other. The Electric Boogie is inspired by natural forces such as electric currents and waving bodies of water. Breaking, however, seeks to defy nature with anti-gravitational movements. Yet another reason these dances co-exist so well is due to the fact their performers like to 'battle' each and every other.
Due to its competitive nature, I see Electric Boogie also becoming a competitive sport. This might appear odd since unlike breaking, it is challenging to judge, but it will go the way of breaking simply because they have turn out to be inseparable in a cultural dance movement. It is going to evolve into a competitive factor.
Within the 1970's Campbell had established an whole locking dance crew named "The Lockers". Two of these lockers became Television stars with Shabadoo starring in "Breaking" and Penguin starring in "What's Happening". The locking dancers of this period wore the typical 1970's clothing of platform shoes, bright striped socks and pegged pants. The shirts that they wore were big-collared bright satin with bow ties. They accessorised with white gloves and huge Apple boy hats.
About that time a recognized Tv choreographer named Toni Basil, who was famous for shows like "Shindig," and "Hullaballoo," discovered Don Campbell and his Lockers and helped bring them to international fame. She was an amazing dancer herself and soon learned to lock. She became a member of The Lockers, helped create their dance act, and got them on Tv shows like "Saturday Night Live" and commercials for example Schlitz Malt Liquor Beer (the 1 with the bull).
Basil and Campbell when performed their dance live at the famous Los Angeles Crenshaw Flats nightclub. Some people even thought that Basil was a far more talented dancer than Campbell!
Also about the time "Soul Train" hit the air (1972) and it became an instant media hit by featuring street dancers, particularly The Lockers, of Los Angeles. The nightclub Crenshaw Flats the apartment on Crenshaw Boulevard in Los Angels was where the "Soul Train" gang hung out.
In the time breaking was developing in New York, locking the The Robot had been acquiring well-known in southern California. During 1972 and '73 in Fresno, California, a modest city halfway among Los Angeles and Dan Francisco, a black family of all boys were inventing some thing new of their own. They named their dance the Electric Boogaloo. Pistol Pete (who also starred in the film "Breaking" and was involved with Toni Basil and also the Lockers and "Soul Train" in the early days) and his brothers had produced The Electric Boogaloo by combining locking. The Robot, along with the far more smooth and controlled movements of mime. Rather than throwing their bodies in and out of manage like locking, or in total hydraulic control like The Robot, they passed power via their bodies popping and snapping elbows, wrists, necks, hips and just about all the body joints along the way. Electric Boogaloo was a lot more like mime in the sense that it pantomimed a live wire of electrical current, however it still necessary the manage of The Robot to give it style.
The Electric Boogaloo became big in San Francisco even just before it hit Los Angeles but when it did hit L.A., the Television capital of the globe, it was introduced by means of "Soul Train" as the new dance form and challenged the popularity of locking. The Electric Boogaloo (or Electric Boogie as it is called now) has considering that spread to New York as breaking later hit Los Angeles.
It can be great to note that the dances are not opponents for popularity. Rather, they every have their own exclusive characteristics that balance each and every other. The Electric Boogie is inspired by natural forces such as electric currents and waving bodies of water. Breaking, however, seeks to defy nature with anti-gravitational movements. Yet another reason these dances co-exist so well is due to the fact their performers like to 'battle' each and every other.
Due to its competitive nature, I see Electric Boogie also becoming a competitive sport. This might appear odd since unlike breaking, it is challenging to judge, but it will go the way of breaking simply because they have turn out to be inseparable in a cultural dance movement. It is going to evolve into a competitive factor.
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