Function of the music video camera person
A cameraman has a lot of work to do on set. Directing the Gaffer as to where to put the lights and creating that perfect lighting is just one task and being able to think up new angles and camera movements freely is the most fun part of the job. Getting to see your final work on the big screen can be a whole new magical experience, totally separate from those on set.
To see your audience has been affected the way you wanted them is a treat as a cameraman. When the audience feels how you want them to after watching your movie, a sense of accomplishment arises within. The blood, sweat and tears that are poured into creating a movie are well worth it when the movie is said and done.
A cameraman claims the job of visualizing all the elements of the picture-and hardly anyone can do that with light-which is one of the hardest parts of my job as a cameraman. It takes patience and a good eye to assemble all elements creatively and think of creative lighting set-ups. Mimicking the feeling of "being there," with the camera also takes a good eye and agility. One must be fit in order to hold a camera without shaking for long takes, so build your muscle and your stamina!
Movement is also very important because without camera movement, the shots become boring and it's more apparent that you're watching a movie. Jerky or unstable movements ruin your shot and kill the moment, hence why a cameraman must also be in shape-to be able to hold shots for long takes if it's hand-held or on a Steadicam system.
It's always a good idea to thoroughly check every piece of camera equipment you rent to make sure it works the way it's supposed to. Camera equipment tends to be on the heavy side-especially equipment rented from such large places like Panavision or Arri-so it's a good idea to stay in shape and lift weights so you can move all the heavy cases of camera equipment as fast and carefully as possible. Working in the crew on set requires that you are able to move quickly without hurting yourself or others on set.
Getting into the industry as a cameraman is very difficult and takes a lot of time, patience and work. Knowing everything about most cameras and staying on top of the new ones that come out is important so that you can have a wider base of "camera intelligence" and pick up more jobs. The more creative you are, the more people will want to work with you.
Freelance camerawork, like I do, is the most difficult, as I believe, because it is never a promise. You think you'll be working a gig two weeks from now, and then in one week, the person or production company hiring you will call you to let you know the project had been cancelled.
Half of the game is just meeting other camera people and networking. The Head Prop Master for Warner Bros. once told me, "In this industry, it's good to be nice to everyone because you never know when you may need someone even like a plumber. What if one of the toilets on set break onE day? You'll know whom to call, and he might even give you a discount! Happened to me!"
To see your audience has been affected the way you wanted them is a treat as a cameraman. When the audience feels how you want them to after watching your movie, a sense of accomplishment arises within. The blood, sweat and tears that are poured into creating a movie are well worth it when the movie is said and done.
A cameraman claims the job of visualizing all the elements of the picture-and hardly anyone can do that with light-which is one of the hardest parts of my job as a cameraman. It takes patience and a good eye to assemble all elements creatively and think of creative lighting set-ups. Mimicking the feeling of "being there," with the camera also takes a good eye and agility. One must be fit in order to hold a camera without shaking for long takes, so build your muscle and your stamina!
Movement is also very important because without camera movement, the shots become boring and it's more apparent that you're watching a movie. Jerky or unstable movements ruin your shot and kill the moment, hence why a cameraman must also be in shape-to be able to hold shots for long takes if it's hand-held or on a Steadicam system.
It's always a good idea to thoroughly check every piece of camera equipment you rent to make sure it works the way it's supposed to. Camera equipment tends to be on the heavy side-especially equipment rented from such large places like Panavision or Arri-so it's a good idea to stay in shape and lift weights so you can move all the heavy cases of camera equipment as fast and carefully as possible. Working in the crew on set requires that you are able to move quickly without hurting yourself or others on set.
Getting into the industry as a cameraman is very difficult and takes a lot of time, patience and work. Knowing everything about most cameras and staying on top of the new ones that come out is important so that you can have a wider base of "camera intelligence" and pick up more jobs. The more creative you are, the more people will want to work with you.
Freelance camerawork, like I do, is the most difficult, as I believe, because it is never a promise. You think you'll be working a gig two weeks from now, and then in one week, the person or production company hiring you will call you to let you know the project had been cancelled.
Half of the game is just meeting other camera people and networking. The Head Prop Master for Warner Bros. once told me, "In this industry, it's good to be nice to everyone because you never know when you may need someone even like a plumber. What if one of the toilets on set break onE day? You'll know whom to call, and he might even give you a discount! Happened to me!"
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