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Two Year Acting Program in NYC - A Safe Place for Vulnerability

By Maggie Flanigan


Also known as the conservatory method, the two year acting program in NYC is one of the most successful forms of acting school. This approach is designed for students who constantly wish to improve in their craft. The practice of a master taking an apprentice under his wing is a tradition long respected by many cultures. In NYC, student actors who are looking to improve themselves in their craft should certainly consider a two year program.

Actors who are true professionals know that the process of studying is never over. Years of training are the only way to become a "natural" actor. Separating yourself from the distractions in life and dedicating your time solely to study requires dedication and strength. In order for professional actors to separate themselves from the hobbyists, two year acting programs are a must.

The Meisner technique fits in quite nicely to two year acting programs. The technique teaches students the basic methods first with the lessons become more and more complicated as each skill is mastered. Similar to military training, Meisner training can feel like boot camp. Students have to face the stripping and rebuilding of their identities and beliefs.

The goal of military training is to repurpose the soldier's identity around the military. These programs draw actors out of themselves so that they are better able to analyze their thoughts and beliefs. Doing so allows actors to become more emotionally controlled, freeing them to focus on the character they need to portray.

Every person has their own needs, emotions, personalities, and compulsive behaviors. When it comes to theater, these qualities may not necessarily be an advantage. In order to allow the character to shine through, it is absolutely necessary for actors to be aware of and know how to control these traits.

It is all too common for actors to develop poor habits. These habits can partially be addressed in short-term classes. There is no question, however, that two year programs are far more effective at correcting these problems. Correcting bad habits and forming new ones is not an easy chore and doing so requires that the actors make themselves vulnerable and truly bare their souls and true personalities. A two year acting program challenges students to bare their vulnerabilities and put themselves under the microscope all in an effort to make them more capable of creating lifelike characters for the audience. If an actor finds himself suffering from less-than-desirable habits, two year programs are a great way to correct these issues with the result being a professional actor secure in himself and behaviors and ready for any sort of role.




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