Norman Lindsay - A Serious Australia Art Legend
Born in the tiny Victorian village of Creswick on the 22nd February 1879, Norman Alfred William Lindsay was destined to grown into an Australian icon and one of Australia's most famed and controversial painters. Born to Robert Charles William Alexander Lindsay, a doctor and his mother was Jane Elizabeth Lindsay. He was part of a family group of 10 kids, 6 males and four females, a couple of whom, such as Lionel and Percy had artistic skills much like Norman. Norman Lindsay has become commonly regarded as one of Australia's greatest painters and has left a substantive collection of paintings, drawings and etchings which are nowadays eagerly asked for by enthusiasts and businesses alike. Norman possessed a number of skills together with a mind that would certainly insight talk and debate with regards to a number of his political opinions and how he pictured them in his art. Lindsay was a an individual with many artist skillsets in addition to being very successful as an oil painter, water-colourist, etcher, pencil drawer, cartoonist and sculptor.
He is amongst Australian fine art histories most prolific artists making use of a large number of mediums such as oil paintings, watercolours, etchings, sculptures and pencil drawings. Norman authored children's stories and is best known for his tale The Magic Pudding which is actually still available now. A number of his writings brought outrage for its subject matter one especially, Redheap had to be banished. Norman Lindsay worked as an editorial cartoonist as well for The Bulletin. At the Bulletin the Red Menace and also the Yellow Peril were exceptionally common themes in his illustrations, expressing the social viewpoint of the newspaper and his political views which was generally considered as improper and right winged politics. His political view was well shown in his artwork. He furthermore had a taste for the sensual. Norman Lindsay was well known to be usually working on one undertaking or another, it is of no doubt that this was precisely how he crafted a great number of works.
Whilst his residence at Falconbridge had been established amongst outstanding gardens and it increased in size over the years his studio room was modest and this acted as a stimulus to other artists. Norman Lindsay produced quite a few awesome paintings and drawings throughout his lifetime however he was additionally very well known for his etchings and statues.Norman found his creative capabilities as a young child when he was very unwell. Norman also had two brothers and a sister who were artists also, later he and his brother, Lionel, shifted to Melbourne to work for an alternative publication.
However it was not very long before both Norman and Lionel gave their resignations from their Melbourne employment and moved north in order to work at the Sydney Bulletin. Their duties had them being employed as artists, drawing caricatures, cartoons and pictures to go into the magazine. Just as talented his brother, Lionel, worked and did just about all the same tasks as Norman yet he acquired a knack for stirring up things with his artwork. One of Norman Lindsay's pen pictures titled Crucified Venus was removed from an art display after it was thought of as questionable. Later the art was returned to the show as soon as the President of the Society of Artists threatened to clear away almost all the other works if it was not returned.
Norman Lindsay was married twice, his first wife Catherine eventually left him in 1909 and he remarried in 1920 to Rose who was one of his models. Rose also moved into the position of his business manager, a position which she performed incredibly well. Rose was largely responsible for the printing of many Norman's etchings and she was effective in organising his finished works. So well known and famous is the Norman Lindsay name that his artworks are displayed in the leading Australian art galleries plus hold pride of place in a large number of private homes and corporate offices. Dealers frequently offer a wide range of Norman Lindsay works of art and the high demand has seen a continuous rise in valuations over recent years. One of Australia's top artists, Norman Lindsay died on 21st November 1969.
He is amongst Australian fine art histories most prolific artists making use of a large number of mediums such as oil paintings, watercolours, etchings, sculptures and pencil drawings. Norman authored children's stories and is best known for his tale The Magic Pudding which is actually still available now. A number of his writings brought outrage for its subject matter one especially, Redheap had to be banished. Norman Lindsay worked as an editorial cartoonist as well for The Bulletin. At the Bulletin the Red Menace and also the Yellow Peril were exceptionally common themes in his illustrations, expressing the social viewpoint of the newspaper and his political views which was generally considered as improper and right winged politics. His political view was well shown in his artwork. He furthermore had a taste for the sensual. Norman Lindsay was well known to be usually working on one undertaking or another, it is of no doubt that this was precisely how he crafted a great number of works.
Whilst his residence at Falconbridge had been established amongst outstanding gardens and it increased in size over the years his studio room was modest and this acted as a stimulus to other artists. Norman Lindsay produced quite a few awesome paintings and drawings throughout his lifetime however he was additionally very well known for his etchings and statues.Norman found his creative capabilities as a young child when he was very unwell. Norman also had two brothers and a sister who were artists also, later he and his brother, Lionel, shifted to Melbourne to work for an alternative publication.
However it was not very long before both Norman and Lionel gave their resignations from their Melbourne employment and moved north in order to work at the Sydney Bulletin. Their duties had them being employed as artists, drawing caricatures, cartoons and pictures to go into the magazine. Just as talented his brother, Lionel, worked and did just about all the same tasks as Norman yet he acquired a knack for stirring up things with his artwork. One of Norman Lindsay's pen pictures titled Crucified Venus was removed from an art display after it was thought of as questionable. Later the art was returned to the show as soon as the President of the Society of Artists threatened to clear away almost all the other works if it was not returned.
Norman Lindsay was married twice, his first wife Catherine eventually left him in 1909 and he remarried in 1920 to Rose who was one of his models. Rose also moved into the position of his business manager, a position which she performed incredibly well. Rose was largely responsible for the printing of many Norman's etchings and she was effective in organising his finished works. So well known and famous is the Norman Lindsay name that his artworks are displayed in the leading Australian art galleries plus hold pride of place in a large number of private homes and corporate offices. Dealers frequently offer a wide range of Norman Lindsay works of art and the high demand has seen a continuous rise in valuations over recent years. One of Australia's top artists, Norman Lindsay died on 21st November 1969.
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If you may be an Investor, Collector or Enthusiast of Art work you can find out much more about the extraordinary life and artworks of Norman Lindsay on the internet. Head over to Jamie Horne's website NormanLindsay.net that is dedicated to this dazzling Australian artist.
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