Three Habits of Professional Photographers: Part Two
This is the final installment of our look at the three most important skill sets I see in the most successful, pro photographers who come through the GlobalEye Stock Photo Agency each month. We covered Lighting and Patience in the first installment -- if you missed that, you can check our sell stock photos blog -- otherwise we'll dive back in and look at technique.
For all the ease of automatic-everything cameras, I often wish they were somehow available only after the photographers had passed a manual photography course. Unfortunately, it's so easy and so handy, that most photographers who start out on automatic never go back and learn the way to control those settings themselves.
And that means there are a huge number of photographers out there producing photographs that are almost great ... But because they have no theory and only very basic technical skills, they won't ever know what's holding them back and more importantly, how to correct the problems and make great photos.
I see this every week with the membership applications. Shots that would have been perfect if the photographer had only turned off the center weighted auto-focus and paid more attention to their point of interest. Shots that would have been perfect if they'd turned off the preset exposure mode, and thought about their depth-of-field. Shots that might have been perfect if they would only thought about the effect of shutter speed ...
The other frustration is those photographers who don't even take the time to read the manual that came with their camera so they might take advantage of the features open to them. Here are just a few issues .. And the photographer's reasons ... That I have seen just recently ...
1. Great submission of images, but all of them had a noticeable color cast that even I (seriously color-blind) could spot.
"Yes, I saw something about setting white balance, but figured the factory settings would have it covered..."
2. Superb subjects & compositions, but too grainy to ever use ...
"That's potentially because I keep the ISO set to 1600 so I don't have to stress about flash using up my batteries ... "
3. Fantastic submission ... Technically spot on & subject matter perfect for stock, except they were captured as medium jpgs ...
"I did not want to run out of space on my memory stick ... "
The last one might sound totally daft but is a familiar story around here ... The photographer had a $2000 camera and was shooting hundreds of strong photographs each week with real stock potential, if he would only splashed out another $50 on 2 additional memory cards. (The average point-and- shoot nowadays captures a better quality file than the one this man was saving!)
So the final suggestion here is, if your total photography experience is digital-auto, every chance you can, switch off the auto-everything and learn how to do it yourself.
Even better, call into the local second-hand shop and pick up an old manual film camera ... They're giving them away nowadays ... And put 1 or 2 rolls of film through it. You may learn more from those 100 shots than a year with your digital auto-everything!
OK, that is just a few general ideas to get you thinking. Next time around I'll cover a few more particular elements we see in the best selling images and a straightforward trick to be sure you get them right ever single time.
For now, feel free to visit our website and post your own suggestions on what makes a photographer a professional!
For all the ease of automatic-everything cameras, I often wish they were somehow available only after the photographers had passed a manual photography course. Unfortunately, it's so easy and so handy, that most photographers who start out on automatic never go back and learn the way to control those settings themselves.
And that means there are a huge number of photographers out there producing photographs that are almost great ... But because they have no theory and only very basic technical skills, they won't ever know what's holding them back and more importantly, how to correct the problems and make great photos.
I see this every week with the membership applications. Shots that would have been perfect if the photographer had only turned off the center weighted auto-focus and paid more attention to their point of interest. Shots that would have been perfect if they'd turned off the preset exposure mode, and thought about their depth-of-field. Shots that might have been perfect if they would only thought about the effect of shutter speed ...
The other frustration is those photographers who don't even take the time to read the manual that came with their camera so they might take advantage of the features open to them. Here are just a few issues .. And the photographer's reasons ... That I have seen just recently ...
1. Great submission of images, but all of them had a noticeable color cast that even I (seriously color-blind) could spot.
"Yes, I saw something about setting white balance, but figured the factory settings would have it covered..."
2. Superb subjects & compositions, but too grainy to ever use ...
"That's potentially because I keep the ISO set to 1600 so I don't have to stress about flash using up my batteries ... "
3. Fantastic submission ... Technically spot on & subject matter perfect for stock, except they were captured as medium jpgs ...
"I did not want to run out of space on my memory stick ... "
The last one might sound totally daft but is a familiar story around here ... The photographer had a $2000 camera and was shooting hundreds of strong photographs each week with real stock potential, if he would only splashed out another $50 on 2 additional memory cards. (The average point-and- shoot nowadays captures a better quality file than the one this man was saving!)
So the final suggestion here is, if your total photography experience is digital-auto, every chance you can, switch off the auto-everything and learn how to do it yourself.
Even better, call into the local second-hand shop and pick up an old manual film camera ... They're giving them away nowadays ... And put 1 or 2 rolls of film through it. You may learn more from those 100 shots than a year with your digital auto-everything!
OK, that is just a few general ideas to get you thinking. Next time around I'll cover a few more particular elements we see in the best selling images and a straightforward trick to be sure you get them right ever single time.
For now, feel free to visit our website and post your own suggestions on what makes a photographer a professional!
About the Author:
Matt Brading is a photographer with GlobalEye Photo Stock Agency who prefers to sell stock photos using the direct contact systems and content-based photo marketing. He also published instant photo web sites using the photo site secrets method.
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