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A Brief History Of Abstract Art

By Joe Angers


Nonrepresentational or nonobjective art isn't an invention of the 20th century. A considerable number of cultures, like the Islamic and Jewish, have developed over the centuries a very high standard of ornamental or non-figurative art forms. Today, abstract art is normally accepted to be the kind of art that does not show objects in the natural world, but instead uses shapes and colors in a nonrepresentational or subjective way.

According to art experts, in its most refined form in Western art, an abstract art is one without a distinguishable subject, one which doesn't relate to something external. This sort of decorative art, without figurative illustration occurs today in numerous cultures. As the modern abstract movement in sculpture and paining appeared in Europe and North America between 1910 and 1920, two approaches have been typically accepted to supply different abstract styles: photographs which have been "abstracted" from nature to the point at which they no longer reflect a traditional reality, and nonobjective, or "pure" art forms, which do not share any reference to fact.

A further distinction has a tendency to be made between abstract art which is geometrical, for example the work of Piet Mondrian, and abstract art that's more fluid,eg in the works of Wassily Kandinsky. It was Kandinsky who once said that "of all arts, abstract painting is the hardest. It demands that you know to draw well, that you've a increased sensitivity for composition and of colors, and that you are a real poet; this last is essential."

Abstract art began in the fashionable movements of the late 19th century -Impressionism, neo-Impressionism, and post-Impressionism. These painting styles reduced the seriousness of the original material and began to stress the creative process of painting itself. As artists in Europe at the early twentieth century "broke free" from the conventional representational rules art forms had to follow, figurative abstractions, or simplifications of reality, where detail is eliminated from familiar objects leaving only the essence or some level of recognizable form, became preferred inflating the variations of art forms and view points.

With different abstract styles, like Synchronism and Orphism, abstract art stressed on colour over form, on feelings over logic. The action painting of an American Abstract Expressionist, Jackson Pollock, who dripped, dropped, smeared, spattered, or thrown paint on the canvas, is an excellent example of such a tremendous change in art focus and methodology.

After the advent of technology and the mass function of programs that helped folks "play around" with their own footage, paintings or other art forms, abstract art has gained more recognition than ever seen. But though having the ability to draw well is not a controversy any more, as Kandinsky pointed out, being a "true" poet is what still separates the beginner attempts to create abstract art from the artifacts of a real talent.




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